Skip to main content

Beauty + Utility


It seems we can take nature with us everywhere, even in it's pine-scented freshness.

This classic air freshener is a contemporary representation of what A.W.N Pugin stood against; a constructed ornament that was an imitation of nature with a "cheap and false magnificence." Design reformers that later followed such as Henry Cole + Richard Redgrave and Owen Jones all believed in these same principles and tried to educate society in the mid 19th century in regards to what they considered to be true and false aspects of design.

Owen Jones in particular believed in Pugin's ideals of design and although they were originally based upon gothic architecture, Jones applied these rules of beauty and utility to the Art Nouveau movement in his book, 'Grammer of Ornament,' in 1856. He looked to nature to define laws and focused on flat patterns, geometric shape, repetition and abstraction in his work during the British design reform movement.

Jones believed that, "construction should be decorated, decoration should never be purposely constructed." With evidence given in respect to prioritizing the function of design first and foremost before it can appeal to our sensuous impulse, I do agree with the idea that design should be utilized and not only be beautifully stationary.

image used from website Auto Express:

Comments

Popular posts from this blog

Cuba Street- the Political Campaign

A Political campaigner carrying a small child or a tray of ready made frozen bullets retailed at $14.99. Who wins your vote? The thought of what’s now culturally sensitive and insensitive in this modern world can still be viewed through a conservative viewpoint. How we interpret its aura through its visual language is determined by what has been hammered into us as socially acceptable. Regardless of whether we symbolize a child being carried as a ‘pure’ thought or frozen ice bullets as ‘impure’ our initial opinions and feelings fall under that social code. Perhaps we have only touched on what it is to be ‘culturally rich’ and base our ideals on the thought that in order to look forward you must look back.

Postmodernism + Remix

This postmodernist painting titled, Don’t forget your scarf, by Banksy is an example of how “the past always tries to control the future.” It shows how the mother is trying to influence her view upon her youth because of her own past experiences. Here, she is trying to protect her son by covering him up with a red scarf, while at the same time disguising his voice and distorting his opinions. One can only assume that she is the one doing the talking, expressing a subtle command that he has no way to refute. The context of the painting becomes especially important because it is an ironic family portrait- meticulously embroidered with a glimpse of how two generations contrast but are joined together. It shows what is viewed as a socially acceptable youth compared to the display of the loving mother’s more ‘wholesome’ generation and attitude of the past. It therefore reveals the limitation of control of the past and the progression of the future. This new cultural view is ...

Design + Craft

The new craft. The gap between craft and design in the nineteenth century has now become a fine line. This contemporary piece of craft, originally guild-taught, shows how it has become mass produced because of its useful function. Although its original craft has been aesthetically modified throughout time the foundation of the bicycle has remained the same and the main evolution has become the division of labour. John Ruskin believed that the liberal and mechanical principles of design influenced this division between social classes where the poor were categorised as a "tool" for crafting. This went against Ruskin and William Morris' belief that the artist "must feel" free and have an understanding of nature. This example shows how the social division no longer limits what is defined as craft or design and instead creates a common interest in art which in turn unites people and as Ruskin states, "takes a serious view of human destiny."